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Transitioning between True voice and Falsetto seamlessly!

After reading last week’s blog, you should have a clear distinct knowledge and feel of where your falsetto is placed within your various vocal registers and what it sounds and feels like. Please do not move to this next exercise if you are unsure about what your falsetto is supposed to sound  and feel like. If you’re feeling confident with your falsetto, let’s move to the next scale which is a very important and distinct element of your voice. These skills are going to teach you how to transcend between true voice and falsetto seamlessly with grace and easy.

It’s not that easy as what it sounds, we DON”T that donkey crackle or Tarzan sound. So the most important part about doing this particular scale is keep it moving consistently and surely through the crack or break.

So try it with 1st to a 5th jump scale on the  “ar” and “wee” sounds. The “ar” is true voice and resonates in your middle register and the “wee” is falsetto that resonated within the head in between the ears. Again, please exit whenever you feel that this is becoming too high for you and your straining. If it gets too hard for you, please exit the scale. Now, if you have got this scale down smoothly going up to true voice and then falsetto, let’s move to the next scale. You now need to reverse that exact same scale and do it on a fifth to first jump starting with “wee” in falsetto firstly and finishing on “ar” in true voice. It is the most important scale coming down because this is when you will generally crack and break.

After doing those two scales you will feel that your voice is limbed up between the true voice and falsetto exercises without any breaks. Now try doing the firsts to the 5th and back to a first  interval jump. With the top fifth note being in falsetto and the starting and finishing notes being back into True Voice. Try to do this scale smoothly and seamlessly without a crack or break. Flowing between the two registers with eases. If this is not happening and you’re getting a distinct crackle or break ,lighten the volume off a little bit on the falsetto note and smile on the falsetto note. And also try sliding Quicker between the two registers. This will hopefully blend the two registers together seamlessly. That’s what we want to achieve so that we can apply this directly into the songs. So, if you have been practicing these and it sounding good, please go off and pick some of your favorite songs that go in and out of falsetto  and apply these skills to them.

I hope that this has helped you out and make sure you are practicing all the other blogs as well too. If you have been you should be becoming  a very good singer.

See you next week!

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