Getting the BEST Out of Your Falsetto!

Today we’re going to be talking about using your falsetto vocal cords. So, let me first explain a little bit about the falsetto vocal cords.

Falsetto is a false vocal register, you can clearly hear the difference between a false voice and a true voice and when we can get this working for you in a song, it sounds absolutely fantastic when you can sing from true voice to falsetto back to true voice simultaneously.

I will tell you a little bit about the vocal registers; I have already covered this in one of the past blogs but I would like to recap this very quickly:

Chest voice is your lowest registers, your chest voice will resonate and vibrate when you’re singing down low your singing register. As you move up, you’ll lose this vibration in the chest and resonance will move up into to the middle register.

Middle register. Where most contemporary singing is done in true voice. You will get most of the sound resonance around the throat area.

Falsetto. A distinctly false and artificial sounding voice.

Head voice. Is the last one, which is a lighter area; weaker version of your true voice. Me stress this one more time head voice is NOT falsetto. But, let’s focus on falsetto because that’s what this blog is all about.

Before you start the ‘wee’ falsetto exercise, let’s activate the falsetto firstly so that we know where the sound is resonating and sitting. So firstly, resonate and feel the sound to the back of the head in between the ears. Do this scale in a falsetto and not in the true voice. When the notes are too high for you, please exit the scale but if you can keep on going higher both males and females, tighten the diaphragm a little bit to give support and try to put the sound in between the ears.

After doing the scales, your voice should be feeling a lot more warmed up in your falsetto area and register. Please keep on practicing the scales during the week because next week’s blog is a very very important blog where we are going to explain how to transcend between true voice and falsetto.

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